Exhibitions: »How do you get people to build an emotional connection to art again?«
Dark, unrepeatable, somewhere in Berlin. Whether through the Lost Art Festival, which transforms almost forgotten places into immersive art spaces, or through the exhibition series The Dark Rooms Exhibitions, which takes place entirely in pitch darkness: with their unusual concepts, the four Berlin-based exhibition makers Clara and Sven Sauer, Jan Oertzen and Jan Häusler set their own rules.
»My curatorial approach is to expect the unexpected«
The Krefeld Pavillon originally opened as part of a Bauhaus exhibition. Just a few years later, the octagonal building attracts international top musicians such as Till Brönner. Intimate, cross-genre, and unexpectedly different.
»When our city suddenly becomes a canvas«
Every summer, Stuttgart becomes an open-air gallery. Through the PFFFestival, international artists intervene in the urban fabric, replacing grey façades with colorful murals. A conversation about public space.
Culture for everyone: How this festival has stayed free for 30 years
One festival, three days of music, nearly 30,000 visitors – and completely free of charge. The Obstwiesenfestival is one of Germany’s longest-running “free and open-air” festivals. How is this even possible?
»Art Needs to Become Much More Aware of Its Strength«
NORDWIND has become the leading platform for contemporary Scandinavian art in the German-speaking world. I spoke with artistic director Ricarda Ciontos about transdisciplinary curating and why current funding logics are holding the cultural sector back.
»A Controlled Chaos of Sound and Light«
MIRA Festival from Barcelona was built on a simple but powerful idea: music and digital art in perfect balance. Today, it has become one of Europe’s most influential festivals for audiovisual experiences. I spoke to Co-Director Marc Gomariz Díaz about the controlled chaos behind MIRA.